Category: Free Entertainment Essays Samples

Michael Burry, the fictional character from The Big Short is one I can relate to. As for my career, I would like to work in the financial sector. This could be as a personal finances consultant or even own a hedgefund. My father gave me a brokerage for my 16th Birthday, which sparked my interest in investing and finance. It made me feel strong and confident. I thought that I could earn any amount of money.

Michael Burry’s character is an aloof, self-confessed person who thinks he is only good at math and numbers. His memorable self-description was, “I’m not sarcastic.” I don’t have a sense of humor. I have no idea how to handle people. I know how to count. I have seven paper trading accounts that I check multiple times a day. I create different portfolios based on strategies. Some have volatile, lower priced stocks, others have blue-chip, mutual funds and stocks.

In any field, questioning conventional understanding is essential for progress. As an example, everyone used to think the Earth was round. In finance, “flat earth” thinking is basically following what “experts” have to say. Burry faced a backlash of investors and clients when he chose to short housing in the movie. Burry, despite being under a lot of pressure, chose to keep his investment plan centered around his original belief that the banks had been giving out bad mortgages which resulted in many borrowers defaulting, and thus rendering the mortgage-backed bonds worthless. As a financial analyst who is obsessed with reading financial headlines, I know that there are many different stock pickers and “investment specialists” that have differing opinions, analyses and predictions. A person must think for themselves in the worlds of finance and investments. It is important to not follow conventional wisdom in all academic fields.

Michael Burry’s grit is something I can relate to. If I know that I’m doing something worthwhile, I don’t mind spending hours on my computer. To produce my best, I must feel there is a purpose behind it. If I can find it, I’ll put in all the effort and time necessary.

Dora and the Lost City of Gold 2019 Story: After spending the majority her time on Earth exploring the wilderness, Dora is now facing her most dangerous experience to date – secondary education. Dora, Boots and a motley crew of teenagers embark on an adventure to save her family while trying to solve the mystery behind the lost Incan settlement.

Dora the Explorer was a kid’s animated arrangement that ran for more than 10 years. It has been translated into several dialects. The singing guide was accompanied by the age of children, Swiper the Fox was told not to swipe at the monkey and a little traveler. While the movie version of this famous arrangement begins with Dora’s cousin Diego as a child, Diego must leave the wilderness to go to Los Angeles. Dora is then left alone, to explore the world on her own. This goes on for years and now little Dora has grown up. Imagine what could happen to you if your only companion was a monkey. You would also have your guardians and teacher. Dora (Isabela moner) is not the Dora that we see in the movie. She sings, talks to the animals, and is too focused on her parents’ search for Parapata, the lost Incan town. When she is sent off to her Abuela to live and study with her cousin and his family, the young woman has no idea how secondary schools work.

She has never seen school transport. She is absurdly positive and has a rucksack filled with emergency supplies. (This will make adults feel a chill because they’ll remember that this is a world where it’s essential.) Diego (Jeff Wahlberg), a school know-it-all, is not keen on her presence. Sammy (Madeleine Madden), the new student at the school, can’t stand the idea that she might be as smart as this young woman. The story is a typical secondary school tale, with a character who seems to be more like a 10 year old than a 16 year old, but has a comic plan that is stunning. Does this sound like something terrible? This is not the case. The movie producers made a great decision by not keeping the children in tweens. They all demonstrate that age, but it’s a positive thing for children to see secondary students that way. Even when they are playing stereotypes, the young cast remains surprisingly upbeat. Nicholas Coombe’s performance as Randy the nerd is outstanding. We’re generalizing here about nerds, but he is delightful. Randy’s computer-game knowledge may make you recognize yourself. Randy will be able to decipher the many traps in the Sanctuary, as he has played Tomb Raider a lot. I knew what was coming because I’ve done it myself. I know he was the nerd but it wasn’t hard to love him.

The movie Dora And The Lost City Of Gold is in a way a continuation to the popular animated series “Dora the Explorer”. Now, it is a common practice to create films based off of cartoons. This brings back the nostalgia for those who grew up with cartoons.

Hunter Patch Adams plays the lead role in the movie Patch Adams. Hunter, who had attempted suicide and checked himself into a hospital for mental health treatment, was confused and lost. When he was overwhelmed by the uncertainty in his life, he knew he should seek medical treatment. It is clear that his character develops and uses discernment to give meaning to his own life, as well as the lives of others.

Patch, a patient at the mental institution, is given the time to think and feel about his future. Arthur Mendelson teaches Patch to see beyond the problem in order to find the answers. He helps Rudy, his roommate, kill imaginary squirrels later that night. Patch finally finds the answer he’s been looking for. He is now aware that he has a desire to listen and learn from people. Rudy and other patients helped him help himself. He helped others forget their problems, while he forgot his own. He leaves the hospital in order to achieve his dream.

The four principles that make up the discernment process are incarnation and death, giving and being given up, universality and Communion. The principle of incarnation, death, and universality reminds people to live in the moment and express their love because they may not get another chance. Giving up and giving all you have is what it means to be given up. It’s about doing everything to improve humanity and accepting others with more love. The ability to accept all humans, no matter their race, ethnicity or background, as equals is universality. The final principle in communion is unity. We can only love each other when we unite as humans.

Patch shows us in an easy to understand way how he incorporated the four discernment criteria. Patch accepted people as they are. In the hospital or with his class, he always treated people with dignity. He was always willing to help those in need, even if he himself needed it. He helped Arthur open the clinic, but he sacrificed his pay and sleep to help those in need. Patch could then feel closer to the world. He could feel a part.

Patch’s actions demonstrate the principle Agape. He was working and doing things indirectly for himself and others. He helps sick patients forget their pain and sickness when he visits them in the hospital during medical school. Patch’s passion to help others led him to choose to be a doctor in order to improve patient lives. He realized the need for a physician who listens to patients and shows them that they are cared about. After helping Rudy, he knew he could help others. After helping Rudy, he began his journey to become a doctor.

Patch also did a good job of listening to his own heart. When he visits the hospital, he sees a woman denied access to her daughter due to having to fill out medical paperwork. Patch’s encounter with the woman at the hospital makes him imagine Gesundheit, an institution where all medical treatment is free. Humor is used to alleviate pain and suffering. Patch’s intentions were genuine, and he had no attachments or bonds to the world. He wanted to be a doctor and help people, but he didn’t care about the money or status. Patch felt bliss, joy and God’s wisdom by helping others.

Patch has a problem when Corinne’s murdered. He feels like a failure and wants to leave. The shock at her death is shown, but he realizes that he has to stay. Thomas Aquinas says, “The good angels often frighten by their arrival, but quickly become a comforting presence.” Patch, in Wolff 47, asks God to give him a sign. When he sees a butterfly he realizes he is unable to leave Corinne. God’s plan for Patch continues. Patch’s dream was strengthened by Corinne dying. Patch is not going to let the Dean expel Patch because of his extreme joy. He was able to convince the doctors to be more sensitive and compassionate towards their patients. Patch was able to overcome the obstacles because God and Corinne were there for him.

Patch’s ability of using discernment allowed him to make an informed choice so he can help others. Patch was not only unique in his expression but also had an exceptional gift for helping others. He was a person who touched all those he encountered, from his classmates to the nurses.

Theodore Melfi’s Hidden Figures is a feminist film that uses feminist theory in order to show how women are stigmatized more than men due to male dominance. This includes both critical thinking and appearance. Hidden Figures is an adaptation of a true event in which three black women, who were part of NASA’s backbone at the time, helped to launch the first American orbital spaceship with the goal of conquering Russia. It’s not as easy as just putting the two together. Katherine Johnson Dorothy Vaughan Mary Jackson all lived in the segregation age where they were subjected to prejudice from their white peers.

Dorothy Vaughan for instance, is the head of colored computer division. She reminds the boss that she applied to be a supervisor and while she plays this role during the year, the position she holds as a supervisor does not come with a salary or a permanent post. Dorothy is also concerned about her position as NASA orders IBM equipment. Despite all the challenges and obstacles, Dorothy succeeds and proves to be a great employee. Al discovers that the IBM calculations were different from those done before. John Glenn asks Katherine for help to solve the problem. NASA achieves its goal of reaching orbital levels. Secondly, Jim Johnson commits Sexism/Feminism at every party in the film.

“Jim – The pastor said that you were a NASA computer.

Kathrine: Yes.

Jim: What does that involve?

Kathrine: Mathematical calculations are necessary for launch and touchdown of the space programme.

Jim: Wow, that’s a lot of stuff.

Kathrine: Yes. Jim: I don’t think that is what you mean.

Jim’s response to the dialogues that were directed at her when she described her role as a human computer for NASA was sceptical. He thinks it is unusual that NASA employs women to perform such “difficult”, demanding jobs. This means that Colonel Jim’s sexism/feminism manifests itself in his social interactions, which are accompanied by ruthless actions. One can assume that Colonel Jim’s blackness gives him the opportunity to practice feminism, which implies that African American females are on the bottom of society hierarchy.

“We do not develop courage through being happy all the time. It is only through overcoming difficult situations and embracing diversity that we can develop courage. – Barbara de Angelis. This quote is applicable to both examples as it shows that one must overcome stereotypes, judgments, and challenges in order to achieve a certain level of satisfaction. It is not something that will happen to you without your effort. You will feel blessed when you wake up the next day. Hidden Figures women were forced to struggle a great deal due to social pressures.

The women in the film wouldn’t have had the same value at the end, if not for their determination to overcome the challenges that led them to a life of happiness.

Inception is a 2010 film that was co-produced by Christopher Nolan and written, directed, and produced by him. Leonardo DiCaprio is one of the many A-list stars in this film. DiCaprio plays Dom Cobb, a thief who has the ability to steal secrets from people’s subconscious by entering their dreams. Cobb is a wanted criminal who cannot see his kids. In order to regain access to them, Cobb is given a second chance. Inception costs $160,000,000, divided by Warner Bros. Inception was premiered on London’s July 8, 2010, and released the following week in theaters. The film was the fourth-highest grossing film in 2010 with a worldwide total of US$828,000,000. The film won four Academy Awards, was considered to be one of the top films of 2010, and received critical acclaim for its screenplay and visual effects. Its ensemble cast also received praise. It is important that a script be well written, as are the cast and crew. However, it’s also crucial to consider marketing strategies and techniques. The poster was used to market the film. It had the right ingredients, and the rhetorical strategies were successful. This poster sparked interest in the film. Inception’s poster is a great example of a movie that uses pathos as a way to appeal to specific audiences.

The poster’s first impression is that it shows a very strange picture of the street the main characters stand on. What is shown is not possible. The city road appears to be folding upwards. This allows the viewer to take a closer look and understand the meaning of the poster. This suggests that the film is mysterious and dramatic. This image has dark colors, including blues, blacks and grays. These colours are usually used for sci-fi and thriller movies. Three of the six characters in the main image appear armed. Although the names are not revealed, this suggests that the film has elements of thriller and action. Guns are a common sign of action movies. There are several other clues that make it clear whether the characters work together or are against eachother. For example, they wear different clothes, are looking in various directions, and display a variety of facial expressions. The poster is clearly marked with the tagline “YOUR MIND is the scene of the crime.” This is an intriguing tagline and it adds to a poster’s image that something dark will happen. This tagline makes the poster personal and draws in the audience.

The poster uses ethos rhetorical appeals as the main form of appeal, even though pathos is also present. The poster’s top is dominated by the names of the actors to draw the attention. Leonardo DiCaprio was given the largest name title on the posters. He is the star of the movie and the most famous actor. The names of all actors have been capitalized again to help them stand out. This will encourage the target audience to watch the film to see what role they prefer, regardless of genre. The poster’s director is in very small type, but the layout of “From the Director of The Dark Night” makes it important. It lets the audience that this director was also behind The Dark Night. This film was a huge success because of its creativity and box office sales. Nolan lovers can now go to the movie.

On the bottom, you’ll find a billboard block that contains the credits. This is a block of credits that contains recognizable, iconic logos from companies to give the film a more credible look. In the film poster, the logos are prominent. The poster’s color scheme is dark, which implies that the film is dark. We immediately notice the red color used to write the title “INCEPTION” in a clear, capitalized font, as it is associated with danger, anger and adventure. The bright light behind characters is another thing that we notice. The dark foreground and the bright light at end of road are a great combination to create suspense. Due to the contrast in the poster, the viewer’s eyes are drawn to the light. This is because the road looks deserted. The six people in dark clothing on the poster’s foreground are instantly recognisable as belonging to the thriller genre. They appear ready, like something is about happen.

The poster’s dark, mysterious and intriguing design grabs the viewer’s interest. It does not rely on a lot of words but instead relies on visuals to attract the audience. In conclusion the Inception poster was very effective in grabbing the attention of viewers and convincing them to see the movie. It used rhetorical appeals to make the poster appealing to many viewers. The colors are what really attract the viewers. They create a feeling of thriller and danger. The poster also focused on the credibility and the poster included many features that helped to establish the credibility. Leonardo DiCaprio was featured in large letters, which attracted his fans. This poster was a great success in attracting viewers and convincing them to see the film.

On the Waterfront tells the story about a man named Terry Malloy who is trying to save his love and himself from the evil forces that want to destroy them. Kazan uses Edie, Father Barry and the conflict within himself to demonstrate that even the worst of circumstances can lead to understanding. Terry can learn from the death of many longshoremen, the violent scenes where Johnny Friendly is shown beating his union member or manhandling Terry. Kazan paints a negative picture of the Union for Terry to help him make up his mind.

Terrys perception of justice, and his understanding of it, is crucial to the story. Johnny Friendly does not seem to see anything wrong with his actions but he denies them. Terry says to a bystander “He’s not a bad kid, Joey” and the other responds with “He’s a canary”, showing their different levels of understanding. Terry does not confess until the final scene of the movie. Edie and Father help him to understand. Barry.

Father. Kazan uses Barry as an example of doing what is right at any cost and preaches it to Terry. Terrys vision of himself and the rest of the universe slowly changes during the entire film. Barry’s teachings. Terry shows a change of heart when Father Barry stands at the side of Dougan as Friendly workers throw garbage on him. Barry Terry orders them to stop. Terry even engages in a fight with one of the bosses. Terry now understands the treatment of the union’s members and joins Father. Barry, stop this from happening.

Terry’s understanding is not his understanding about the workings and corruption of the gang, but that now he realizes how corrupt the gangs are. Terry has vowed to put an end to it. Charley tells Terry to lie to Friendly and then gives him a gun. Terry doesn’t use it. Terry breaks down after seeing Charley being murdered in the alleyway.

Terry’s last moment in court, after he has testified is when he confronts Friendly about his crimes. Terry enters the building in an argument and says to Friendly that “I am standing over there now”, indicating a newfound allegiance for the longshoremen, his knowledge of their treatment and the moral position he should take. After the argument, the fight ensues. Terry is left physically damaged but not in spirit. Friendly becomes worthless to his union. After this, the union no longer controls anyone and Terry takes the men on a boat to show them he can defeat the union.

Kazan’s films helps Terry discover who he really is, what he stands for and how others act. The quote ‘I stood over there now’ tells us he is now standing amongst the dock workers, wishing for an honest wage and a safe day of work. Terry’s character in the movie goes from simple-minded ignorance to advocating for the dock workers.

Power is something that we all desire, but how it’s interpreted can differ. Power is defined differently by different people. Another person might define power as brute force, while someone else may see it as the capability to affect change. It’s usually a negative emotion that is brought on by the desire to control other people, but this can sometimes be used in a positive way.

It is a common practice in the human race to create personalities that reflect our characteristics. This happens subconsciously. It is a common practice to create characters that reflect our own thoughts, feelings and ideas. Characters that have emotional appeal to us can be used as an example. HBO’s Game of Thrones, an epic medieval fantasy, revolves around the battle for the iron throne of Westeros. Game of Thrones features archetypal character types that reflect our past and personal desire for power. One of the wealthiest and most influential families in the world, they rule Casterly Rock. This castle is built on a rock face near the ocean. Tywin Lannister is the head of family and Lord of Casterly Rock. Cersei Jamie Tyrion are his children. Each Lannister values human life less than their desire for more power. Cersei wants power to fulfill her personal ambitions. She has killed countless people in her quest to become queen. Qyburn was given innocents whom Cersei deemed to be her enemies. He performs horrifying surgeries on his subjects, including mutilation. Cersei is doing this in order to gain Qyburn’s influence and surround herself, therefore, with servants who are obedient. She shows how the desire for power is evil. But, one has to ask if it must be. Do we have the same morals as Lannister, or can it be different?

Cersei, on the other hand, has a more ferocious desire than Daenerys, who wants to dismantle the oppressive system that is in place within Westeros. It includes slavery, corruption and even prostitution. Her experiences with corrupt and evil leaders have made her hate those who exploit others. Visery, Daenery’s brother, arranged for her marriage to a warlord named Khal Drogo. He fervently stated that he was willing to let Khal Doctoro’s entire (30 thousand-strong) tribe rape Daenery if Visery could control Khal’s Army. She is determined to ‘break wheel’. The wheel refers the power culture that currently exists, whereby the powerful exploit the weak. Daenerys has lived through the inhumane culture and wants to eradicate it. As a powerful leader, Daenerys cripples Westeros slavery societies. She leads a campaign to emancipate the slaves in Slaver’s Bay. She wants to liberate those who are oppressed.

We are constantly confronted with the power dynamics, the good and the bad in our everyday lives. It’s possible that we are not aware of it, like I am. My daily battles with my parents and other authority figures are power struggles. I compare my mother’s demands for excellence in academics to Cersei, who is indifferent to what I sacrifice, including my social life or hobbies, hobbies, or sleep. The desire of my mother to control me leads to constant disagreements. Cersei wants to be the queen, but it will bring many to their death. Daenerys, on the other hand, wants to be the queen and this will liberate many.

In conclusion, power can be defined simply as the ability of someone to exert control over another. This control is used in a variety of ways. We can see in fiction the effects of power lust. Does it mean we’re just beasts who exploit the less fortunate for our own benefit, or are we messianics with compassion and empathy? I believe compassion is a natural trait in humans. We must not allow our desires to control our actions.

It is important to understand the implicit meaning of every film. This is because it is difficult to determine what the film portrays in a direct manner. I will analyze “Sucker punch”, an American thriller action film, as well as a Pakistani film called “Cake” to examine the subtext of feminism. Both films deal with gender stereotypes, which are prevalent in both our society and around the world if we look at its global perception. Gender stereotypes develop when behaviors and their psychological characteristics are generalized by sexes, which are then seen as permanent, intrinsic characteristics of each sexe. People believe women who are primarily involved in household work or jobs that require a high level of social interaction are caring, warm and skilled. People believe men who are in roles that require strength and are in roles of high status are dominant, assertive and forceful.

Sucker Punch has a subtext that is based on Feminism. The belief in gender equality is feminism. It is the belief of equal rights for men and woman. It’s a movement organized around the belief. Several well-known female theorists have stressed that it is important to show women in films. These feminist theorists have used their theories to demonstrate that historically, men have remained in control and have dominated women while showing them as subordinates. The feminist theory includes Laura Mulvey, with her Thegaze theory. Claire Johnston talks about Freud’s Psycho-sexual Theory and the ideological picture of women. This film depicts many feminist issues indirectly, such as the objectification or females and their position within society. Also, it shows their ability in fighting back against a hostile world. The film tells the story of a young Girl, Baby Doll, who was sexually abused. After her mother’s death, she and her younger sibling are left with him. She escapes from the locked room in which her stepfather had her, to protect her sister. Her sister is killed when she accidentally misfires the gun that she has in hand to try to save her. As she cries, she points her gun towards her stepfather without shooting him. She is then sent to a mental hospital by her stepfather when she’s no longer wanted or needed. Claire Johnston is a well-known feminist critic and feminist theorist. She was one of first feminists to analyze stereotypes from a linguistic perspective. She explained how the classical cinema creates an ideological image of woman. According to her, Sucker Pun is a film where the males are shown as superior. Her stepfather for example takes her into the mental institution to control her future by paying Blue the person who runs the facility to admit her. Claire Johnston argues that the male character in Sucker Punch is powerful and active. Blue is strong as he leads the metal institution. According to Baby doll, the other patients are prostitutes. He is the one in charge of the institution where the men are sexually and physical abused by women. This film’s subtext is not less than the reality that women are mistreated and the female character becomes passive. This reality isn’t portrayed in its true form, but connotations suggest that Baby Doll dances in order to imagine herself as strong enough in her locked-up situation. It also shows how weak she is, because she and other female characters, such as Blondie and Sweet pea are powerless to escape. The male dominance in our society has led to women being treated as inferiors. Blue believes that he is the owner of the girls and that they must obey him at all costs. This is unacceptable as both men and women should have equal rights. Laura Mulvey’s theory states that Sucker Punch is the epitome of the Objectification and exploitation of women, not only in terms of their physical appearance but also their mental state. Let me give you a few examples to support my claim. Laura Mulvey’s The Gaze, a theory that describes the gaze of characters in visual texts and images, is applied to camera angles, camera moves, and frames which draw the males towards the females. The film’s close-ups or extreme closeups, as well the mid shots, each angle depicts a message that helps to connect the shots and scenes. The Male gaze is evident in the film. The protagonist, Baby doll, has been dressed with a stylish high school ensemble and two ponytails. Laura Mulvey has analyzed that the male audience is attracted to the fact that the male characters in the story are usually shown gazing and lusting for female characters. It may be the lens that lingers in the movie on the woman, who is dressed with cleavage showing outfits or wearing transparent skin-tights. The women in the Bordello are dressed provocatively. It gets more intense when the girls are trying to escape and are perceived as objects by the men. The girls are dressed well and they are prostitutes. Their body is not objectified by close-ups. However, at certain places females are manipulated to get men’s attention. For instance, Baby doll began to dance before a wealthy client wearing a small top that showed cleavage and underwear. Laura Mulvey’s theory on visual pleasure is a desire by male viewers to gaze at beautiful women and experience their fantasies. This film’s main subtext is that the women in the film are treated as a commodity, which customers use and discard, as though they were without dreams and life. They stare at their bodies and objectify them. The men see women only as objects that satisfy the desire of the males to stare at a female character. Because of the way this story was written, women are shown to be inferior. However, certain scenes in the film show women to have a lot of power. When Baby doll is made to dance in public for the very first time, she becomes extremely stressed, and refuses to accept being sexually gazed. A female leader who is shown to be dominant grooms and encourages the girl to prove herself. Baby doll has her close her vision and take her to a fantasy land where she appears as a strong woman with weapons, fighting evil. The subtext here is that women will accomplish a goal no matter how difficult it may be. She is a woman with a strong soul. The way Baby doll leads Blondie and her friends to the escape plan shows that she has leadership skills. However, social observations are complicated at this fantasy level. I think that the men are telling the women what to do, and where they can get the escape elements. These women are in control of their lives. In some scenes, women are shown hypnotizing men and allowing them stare at them. They do this to control their minds, which is how they gain all of the escape elements. Baby doll, who stabs Blue as he tries to get close to her when he’s helpless, is also shown as confident and authoritative. Sucker Punch focuses on all feminist themes that Freud also mentions in his psychosexual theories. Freud’s view is seen in the films. Women who become powerful, sexually aggressive or want a job are punished if they step outside of the boundaries set by the patriarchy. The film Sucker Punch shows this because Blue, who is the patriarchal leader, warned Baby doll, her other teammates and their wealthy client to stop misplacing the lighter, the cooks’ knife and the map. He also threatened them with death. Blue was the dominant personality in this film and when Blondie, Amber, and their team didn’t listen to him they were killed one by another. In this male-dominated culture, there is no questioning of males for any wrongdoing. The male is always viewed in a superior light and as being right. Women are not punished when they threaten or oppress women. Women may appear to be in charge in some films but at a certain point, stereotypical images of women being passive and low in status are highlighted. Psychosexual theory reinforces patriarchal beliefs that men should have the upper hand and be in control. When women compete against men, they are perceived by patriarchy as a danger because not only do the women want power for themselves, but also to take power away from men. Sucker Punch’s subtext, as I have shown in all my analyses, is very important from a feminist standpoint. Each theorist has expressed their opinion about films, the stereotypical images of male power and female objectification through their theories. Their analysis is based on the Classic Cinema narrative constructed by men. Women are therefore viewed from a man’s perspective. Suckerpun is not the only film to break stereotypes. The film portrays a message of female empowerment and management of the environment. Pakistan has a high rate of male dominance, too. The misc-enscene, cinematography, and sound have all been designed to reflect the gender element of the film Cake. The film “Cake”, which is set in Karachi in the present day, revolves a dysfunctional, five-person family. Zareen’s (Aamina Shiek), the middle one, left her dreams and moved to the UK, Zara’s (Sanam Saeed), a youngster who has lived there for a while, and Zain’s (Faris Khlid) oldest child who lives in New York City with his partner and child. After the parents’ health begins to deteriorate, the family comes together. The family must now face each other after their reunion and resolve their differences, grievances and laments. This film is a perfect blend of humor and mind, with the right amount of disaster. The central theme of “Cake” concerns the passage of time as seen by one family. The film offers a realistic look at the various decisions, results and substances that make up life. The film’s cinematography, as well as its aesthetics, are a representation of gender in the context of countering stereotypical views. The composition, framing and way it portrays Zareen as dominant and in charge of workers and household chores creates a narrative that complements the feminine gender. The background score, camera movements, and diegetic/non-diegetic sound were all used to help build the momentum. Cake’s audience can enjoy realistic set designs, strong performances by the actors and a screenplay that makes goals, motivations and success Zareen’s top priority. Zara is a role model for other women to have faith in themselves. Patricia Collins (1999) in her book Black Feminist Thought, discusses the Mammy-image which portrays Black women as loyal domestic servants and only fit for household chores and childcare. This image has caused Black women to endure this because society still views the woman as someone who is dedicated to their identity and only thinks about family and children. Next, the Matriarch was defined as a Black woman taking on the man’s role in the family rather than being the nurturing mother she should. It is a form of intersectional abuse, which Black women continue to suffer because they are expected to be both mother and father for their children. Most fathers today do not spend time with their children. Black women have more lucrative careers and will be able to provide the majority of income to the family instead of Black men. In the movie Zareen, the oldest daughter is both “Mammy” (mother) and “Matriarch” (matriarch), as she looks out for her parents at home and takes care of their land from which they make a living. Zareen takes on the role of both son and daughter as well as caretaker to their home. Zara has been portrayed, according to Patricia Collins, as a Black woman educated who has chosen a professional career over a family life. Zara spends most of her time working in the UK while spending very little with her Pakistani relatives. There is little information about Zara’s romantic life. However, she lies her parents by telling them she has a partner. Zara as well as Zareen have been created as control images to help the audience know what they should do with them. Zara is portrayed as an unreliable woman who doesn’t know how to be in a relationship. Men are told not to approach her. Zareen is the emasculated ‘Mammy and Matriarch’, she has a fatherly and domestic role and goes to her lands to do work. Zareen felt uncomfortable at the party Zara took her to, and she wanted to leave. Cake broke the stereotypes of Zareen’s father by having her work in Sindhi-speaking lands in England while Zara remained in Britain and worked independently. People with strong views on gender roles tend to be more traditional than those who can adapt to the gender roles. Entity scholars, who rely heavily on generalizations for sorting out and deciphering data from social sources, have a tendency to assign women the role of “Caretakers”, while men assume the role of “Breadwinners”. Cake shattered the stereotype of men being breadwinners by having Romeo play a male role and take care of Zara, Zareen and their parents. Zara was also working. Zara’s and Zareens’ brother Zain married a woman called Sana. Contrary to the stereotype of a male, Zain listened to Sana and followed her wishes. It is possible that emotional vulnerability can be a major factor in romantic relationships, as people are trying to keep the relationship going, meet their needs, and not be hurt by their partner. Gender role expectations are the result of preconceived notions of society. Males tend to dominate and order their female counterparts around and be in control while females take care of the home and kids. Zain’s counterpart, ‘Cake,’ does not dictate to Zain what to do. Romeo is also more patriarchal in the sense that he is responsible for the parents and cleans up after them.

Movie Extra Credit: Silver Linings Playbook

How do Pat & Tiffany help each other recover?

Pat, a bipolar male who was recently released from a mental institution and assaulted a person after witnessing his wife’s affair with the man in question. Tiffany is suffering from severe stress or anxiety issues after her husband’s death. The plotline begins with both characters being sporadic and reserved. Over time, however, the two develop an odd relationship in which they both seem to love and hate each other. Tiffany teaches Pat how to deal effectively with a stimulus to his bipolar reactions (a Stevie Wonder track played both during his marriage and in the cheating sequence), and also how to interact once again with the society despite the pseudo-isolation he is in. Tiffany learns how to love again through Pat despite her ex’s car accident death and frivolous sexual behavior. Pat, for instance, flies out of control after reading Ernest Hemingway’s book. He throws the book through a window. Pat’s rampage also occurs when, in the very early morning hours, he is searching for his wedding videos. Pat’s obsession with Nikki is shown throughout the entire story. Pat improves his life solely to get back together with her. Pat’s behavior changes after Tiffany finds out about his life. Pat dances with Tiffany to take his mind off of his problems, but he is still pursuing Nikki. Pat begins to feel more attracted towards Tiffany as the film progresses. Pat dances with Tiffany initially to deliver a letter to Nikki. But he soon realizes Tiffany’s purpose is to help him cope both with the loss and his condition. Pat starts to ignore Nikki’s importance and only dance and sleep. Pat’s maturity is shown when he confronts Nikki, and claims that his love for her is so strong that he will forgive her.

Tiffany’s interaction with Pat allows her to forget about her husband, Tommy. Tiffany felt deprived of sexual intimacy before Tommy’s passing. Tiffany had sex at work with 11 men after Tommy’s tragic death. Tiffany, after meeting Pat, realizes she doesn’t want nonstop sexual relations, but rather the kind of intimacy she has with Pat. Pat can be a comfort to Tiffany because both of them are considered mentally ill. Tiffany is also able to heal from Pat through dancing and resuming training.

The traditional therapy doesn’t help Tiffany and Pat, even though they have both likely had therapy to help them adjust and cope with their issues. The dancing they do helps them to recover, they are more sociable. Pat’s relationship with both his father and Tiffany improves. Tiffany says that Tiffany is the one who brought the Eagles good luck at the moment, rather than Pat. They are able to lead a comfortable life by focusing on their shared goal. In the final scene, they embrace, but neither is wearing their wedding bands.

Katy Perry in The One that got Away music video addresses both the male and female roles during a romantic relationship, as well as when a couple breaks up. The visuals tell two parallel stories. The first story is about a young couple who are elated, enthusiastic, and enamored of the love entity. Rumors suggest that the couple in this video was inspired by her relationship with Jonathan Lewis. The mood shifts after a few happy scenes to more negative ones. After a few blissful scenes, the mood of the video shifts to more negative interactions between the two.

Perry is able to portray her male characters and female ones as equals in a very few scenes. The young lovers are shown to be equally happy in the video segment where they dance and laugh with each other. They paint pictures of one another, too. She depicts them as individuals fighting the world. They are both united. Her characters, who are adventurous, bold, and silly, do not care about the opinions or thoughts of anyone. This is an excellent example of equality between men and women in a romantic relationship. It shows a balance of mutual respect, a common ground, and a sense of harmony between the two. Perry sends teens a strong message by showing them a picture of an active couple. This is how she prepares them for future relationships. She prefers to portray happiness and playful scenes, instead of erotica or violence in the home. She portrays this as if she were saying “this is what love is supposed to be like, and how it can bring joy when done properly.” This encourages young people to choose someone who is truly special when they are choosing a partner to spend the rest of their lives with.

Perry makes this show of impartiality even more impressive by bringing back the young lovers after they had argued. They were previously shown wearing gender-specific clothing: Perry in pink and her lover with a black jacket. But now, both are wearing the same ripped white tee. The change in clothing to reflect the severed relationship between the two effectively shows that gender does not matter when you are experiencing heartache or grief. Perry uses this image to show that, no matter what gender you are, everyone feels pain. You have to find ways to cope in difficult situations to keep your sanity and health. The women in the painting are not wearing clothes that are specific to gender or personality. Instead, their clothing is distressed, and they don’t wear clothing that is gender-specific.

Perry shows male and woman expressing different emotions. Perry shows that she and her boyfriend are both struggling to cope with the loss, but she portrays them in a stereotypical way. Perry shows her boyfriend driving away from home in his Mustang to let off steam after their argument. She is shown with black makeup and tear-stained eyes as she cries her frustration. It is a reference to the belief that men, being hard-bitten, tenacious and never showing any sign of weakness or tears, are perceived as more strong and tough, while women, on the other hand, are seen as sensitive and delicate. It is not only negative because it encourages boys to hide their feelings, but it also damages the positive message of gender equality.

In the immediate aftermath of this scene, a black Mustang driven by her lover was lashed from the edge of a steep cliff. He had swerved the car to avoid boulders. He was distracted by the pink veil, which belonged to her sweetheart and fell from his visor. This was a memento of the precious moments they shared together. Soon after, an older version is seen visiting the crash scene and remembering their lost love. The woman is once again dressed in gender-specific clothing: basic black pencils skirts, dark colored blouses and black pumps. Her colorful, vibrant feminine clothing before represented her happy personality and her bubbly relationship. Now, her clothes are bare and harsh. It symbolizes her broken spirits and constant lamentation following the loss of first love.

This could be taken in a negative way. It’s a sign that tells young girls to have a boyfriend because it brings out their personalities and inspires passion. It may be true, but it can also reinforce the belief that these goals are impossible to achieve or even lost without a partner. This belief discourages teenagers in developing the skills and habits needed to be an independent, ambitious, growing member. This belief encourages young people to find their value in their partner’s thoughts and actions, which can negatively impact their mental health and self-esteem.

The video speaks volumes in many ways about gender roles and stereotypes. This video uses a range of stereotypes to achieve different rhetorical goals. Perry uses her visual representation as a way to reach out to teens, delivering both positive messages and negative ones about gender through literary and rhetorical devices. Perry wants her music videos to be a way to communicate the meaning of the song. But she also uses them to send a message to teens about what genders should and shouldn’t mean. The viewer will be affected by the strong points of the video, regardless of what aspect they are focusing on. It depends entirely on how deep the viewer’s thinking is and what elements they are paying most attention to.